The Riverside Church
New York, New York
Seat Count: 2,100
Project Type: Renovation
Original Construction: 1930
Audio Upgrades Complete: December 2000
AD Scope: Audio, Lighting and Acoustics
Our work at Riverside began in 1993 with a Phase 1 study of the Nave that included a study of both the sound system and the natural acoustics. The outcome included a recommendation to seal the sound absorptive gustavino ceiling tile and to upgrade the loudspeaker components and electronics. Phase 2 included the replacement of the 40 year old loudspeakers that provides coverage to the floor.
After our initial study, there was interest in improving technical support of the broad range of activities that take place in the Nave. Our design focused on upgrades to the sound system, performance lighting and video systems.
Plans for upgrades to the sound system will provide more even sound quality throughout the sanctuary, more flexible control and capability to support more contemporary musical styles and improved speech intelligibility to all seating locations. The upgrade includes replacement of the loudspeakers in the chandeliers. These new custom units will have a unique asymmetrical directivity pattern that will not send sound directly down into the sound-reflective aisles but will focus sound into the pews to either side. Additional speakers will be sensitively placed within the nave to provide the illusion that the sound is coming from the chancel area, creating a more natural reinforced sound.
Plans for upgrades to the sound system provided more even sound quality throughout the sanctuary, additional flexible control and capability to support more contemporary musical styles and improved speech intelligibility to all seating locations. Loudspeakers in the chandeliers were replaced with custom units that have a unique asymmetrical directivity pattern that will not send sound directly down into the sound-reflective aisles but focus sound into the pews to either side.
Performance lighting in the chancel area was improved to support video recording. The front half of the congregation area was lit to add the ability for congregation and interior camera shots to deliver a more interesting and engaging webcast. In order to establish contrast ratios and depth of field backlight, background lighting positions were developed for the platform area.
